The Art Came First for Mark Mothersbaugh

Last summer when I was visiting my family in Ohio my husband and I stopped in the Akron Art Museum and spent some time looking at a large exhibition called Myopia.  I had not heard of it but it took over the bulk of the museum so I was curious.  I have a habit of going through museum exhibitions from the end to the beginning.  Looking at the work without context to make my own conclusions based on the images alone.  I found life size sculptures, paintings, rugs, digitally manipulated photographs and one entire room full of 30,000 postcards all organized in 300 binders.  I was simply blown away by this body of work and wanted to know more.

At the end, which was actually the beginning, I read the statement about the artist's difficult childhood because of undiagnosed Myopia.  His vision did not extend beyond 6 inches.  There was a bit about his hellish early school years which I could very much relate to because of my own learning difficulties. After reading more, I realized that he grew up in a town about 30 minutes from where I was raised in Ohio.  Then I looked at the name; Mark Mothersbaugh, co-founder of Devo, the iconic punk band of the 80s.  Standing there, I decided I wanted to interview him.  I reached out to him this spring and he graciously agreed to an interview.  We talked at length on the phone and he helped me make the connection between the art and the music, which not many know.  He told me the most wonderful stories about the early days and the thread of his art always present, even to this day.  He may just be a modern renaissance man.  Here is the article and make sure you look at the images through the story and at the end.  

Mark Mothersbaugh: The Artist Within

In Better Hands

Winner's of the Art, Writing and Film Contest at the Holocaust Center for Humanity

Winner's of the Art, Writing and Film Contest at the Holocaust Center for Humanity

I was invited to jury the annual art contest for the Holocaust Center For Humanity in Seattle.  I judged the high school age visual art entries, both the artwork and their statements.  The theme was a quote by  Elie Wiesel. “There may be times when we are powerless to prevent injustice, but there must never be a time when we fail to protest.”   In light of the past 6 months it seems a most topical theme.  The decision was difficult and I was impressed by the artwork and the student's thoughtful statements.  Their compassion, intelligence and ability to articulate both in word and image were impressive.  Perhaps the future may be in better hands. I featured it for the Huffington Post and the article is here.  I have included many of the winner's images and have a link to the other film and writing winner's.  Congratulations to everyone.  

Young Artists, Writers and Filmmakers Show Us the Way

An Unexpected Turn

The parking 3 story parking structure at the train station in Amsterdam

The parking 3 story parking structure at the train station in Amsterdam

Out of the Blue I received a phone call from the Arts Director for the city of Lynnwood asking to buy reproduction rights for a painting I had done in 2014 for Inky Spokes, a bicycle inspired group exhibition.  In 2012 I made my first trip to Amsterdam to attend my exhibition and not only fell in love with the city, but was completely in awe of their use of bikes throughout the city.  If you have never been before, there are more people riding bikes than cars.  Between the trains and the bicycles this city moves efficiently like no other city I have seen.  I created a tripych celebrating the bikes of Amsterdam called “Bicycle Dreams”  The city of Lynnwood is wrapping the traffic light boxes with the images.  I attended the dedication last week and spoke and helped cut the ribbon.  How fun!  Thank you to Fred Wong and all the others involved in this project.

Primordial Imprint

Rae Pleasant

Rae Pleasant

Last spring Dallas Public Library Curator and Arts Director, Rae Pleasant,  reached out to me and invited me to do poetry reading based on poetry and artwork rooted in my family album.  The reading was held on Saturday, May 12th at the Main Branch of the library.  I want to thank all of those who attended and especially want to thank Rae for inviting me and all the work done on installation and organizing the event.  Rae is an illustrator and artist herself and you can check her work out here at Pleasant Folk.  It was also a treat to meet another Pleasant.  Thank you, Rae. 

“Family” is perhaps the most powerful, surely the first and most primal influence in defining who we are or who we imagine ourselves to be.   As we move further away from our youth the previous generation takes its exit one by one.  As we watch the cycle unfold we realize that "family" is beyond space and form.  We idealize the ones who have passed on, but are keenly aware that their influence, (for good or for ill), remains ever present. Families have always been a messy business. Our experiences range from love, anger, joy, frustration, jealousy, ambivalence, compassion. It's all there. We can’t run from who we are and a large part of who we are lays at the feet of these experiences.  


Marjorie, Alice, Florence

Marjorie, Alice, Florence

Mother's Day

alice always with me   

alice always with me



They have never left.
The sharp chill in the air,
the soft breeze brushing the cheek,
the faintest scent of lavender on a late spring day,
the swishing sound of an endless willow strand;
all reminders of enchantments felt, not seen.

Mothers and their mothers;
conservators of unconditional love.
Some missed the mark,
however, pure their heart’s intent.
Now, sentinels, on the ready,
a whisper, a breeze, a scent away.

When we are most in need of reminders that we are loved.
The veil is thin
and they have never left.

For my mom, Alice Pleasant, miss you. 

Horse Magic



In the spring of 2016 I was in the middle of completing two years worth of work (both artwork and poetry) for Terrible Beauty, an exhibition based on a childhood experience of sexual assault.  After 30 years of silence it was an interesting time full of introspection, reflection and putting ghosts to rest. Two friends took me to a very special place, Serenity Equine Rescue and Rehabilitation where they rescue and place horses in permanent homes.  They have a program called Horses as Healers which is an equine therapy program to help facilitate people who have been exposed to trauma. (PTSD)  

I met Dante, a beautiful, larger than life Belgian work horse. This intuitive and compassionate being helped me and reminded me what it felt like to feel safe.  It was an amazing experience. When I was a child I spent time around horses at my aunt’s farm.  I was fascinated by them and my first art experience was drawing horses every day for years, literally I drew hundreds of pictures of horses.  This day was a great reminder of my love for these majestic animals. 

This spring I returned to say hello to the horses again and to spend time sketching them.  It was so fun.  They engaged with me and seemed happy to have the attention.  I drew Dante’s head and turned the sketchbook around and he turned his head to look at it.  One of the horses actually rested his muzzle at the top of my book as I drew until I finished.  Horse magic.  Thank you to Kristen of Serenity and of course, to the horses, especially Dante. 

Down Another Path . . .



As an artist, there are these moments that you look at your work and have a knowing that there is something more, something just beyond your reach, something which will take you off the path.  In life and in art that's when its gets interesting.  For an artist it could be a new surface, a new material, a different way of putting things together, planning or not planning.  Whatever it takes to move you out of your comfort zone will suffice.  

I bought some india ink.  I had not used ink since I was in high school which is a while back.  I also usually do a study and put a fair amount of planning for my larger pieces.  All this was tossed to the side and I have to say it felt pretty good.  Something new is coming and isn't that what the creative life is about.  



Nathalia Edenmont: Beauty and Pain

Recently, I was able to attend Nathalia Edenmont's Exhibition at the Nancy Hoffman Gallery in New York.  What an amazing evening.  Her photographs, larger than life and stunningly beautiful can truly be appreciated in person.  Nathalia lives in Sweden and I was able to do an in-depth interview over several phone conversations.  I found her story and the connection to her art to be fascinating.  She attended the opening and I was able to meet her and have dinner with her and her team from Sweden.  I am always grateful to meet and spend time with these amazing artists.  I learn so much and always walk away from the encounter completely inspired.  I want to thank both Nathalia and Nancy for the opportunity.  

Here is the story published in the Huffington Post.



Nasty Woman Amsterdam

I was honored to be invited to participate in Nasty Woman Amsterdam in March at Josilda Da Conceicao Gallery in Amsterdam.  This exhibition is an outgrowth of the original Nasty Woman exhibition in the Knockdown Center in Queens, NY.  Since then there have been 30 sister shows and counting around the globe that have raised over $181.000 for women's rights and social issues.  I  created a poster based on a painting of my grandmother who perhaps was an original Nasty Woman.   Just to review, "Nasty Woman" became a rallying call to woman, an unintended consequence to a thoughtless, misogynistic and disrespectful comment made during a Presidential Debate by Donald Trump.   

From Emma Gray of the Huffington Post:

During the final moments of the third and final presidential debate, Donald Trump interrupted Clinton as she was answering a question about social security. “Such a nasty woman,” he muttered into his microphone. Women all over the world have reclaimed a word meant to insult.  Happy to have participated in this show.

 Here are some articles about the Amsterdam exhibition.: ReutersMetro News,UK, Hiraeth Magazine

Exhibition runs March 4 – 12, 2017
Josilda da Conceição Gallery
Wormerveerstraat 15, 1013 JS Amsterdam

Life Shifts Beneath Us

  The paintings below have their roots in a photograph of my parents first apartment from 1950.  The furniture was part of the scenery of my childhood and in fact, I still have some of the pieces in my own home thousands of miles away.  They give me comfort as tangible reminders of my parents who are passed.  The chair in which my father had serious talks when one of us screwed up now is used by the next generation, having those very similar talks when raising our three teenagers.  I cannot help but think of him in those moments even after all of these years.  The world is filled with uncertainty these days and the thought of things, corporeal as they may be,  that have stood the test of time and in their own way have witnessed history provide a momentary relief and a broader perspective.

I heard someone say, "The world is changing so fast that its like coming home every night and your furniture is in a different place and this happens every day." This painting reflects my efforts at bringing that idea to life.  Its full of flying furniture and windows to the infinite with  reminders from nature that some things will always remain and beauty will find its way eventually.   Life shifts beneath our feet these days.

Things that Linger

Life shifts but some things linger. I re-created my childhood living room, everything aqua and brown, very 60's style. I painted the brown sofa with silver threads running through it and the afghan that was always on the back, then I found the picture of my sister and I sitting on it and she sent me a picture of the afghan. I didn't realize it was still around. We don't have many hierlooms in this family; the bookcase my dad built, mom's china and this afghan. Objects which tether us to memory.


The Women's Funding Alliance is a non profit organization whose mission is to advance leadership and economic opportunities for women in Washington State.  They will be featuring my artwork over the next three months as a part of their Spotlight on Women Artists series. The pieces above are from my Dowager series.  These ladies come from the photographs of my grandmother and her family and friends, all women possessing  a hard won wisdom and strength, courtesy of the great depression and World War II. I have the vaguest of memories of these women as a child, but do remember their laughter, grit and warmth. 

Women's Funding Alliance                                                                                                                2101 4th Ave.  Suite 1330, Seattle                                                                                                 January 4 - March 31

Eloise, Jewel, Florence

Eloise, Jewel, Florence