KEEP GOING

the way around

the way around

As early as I can remember my father told me, “You can be whatever you want to be.  Your gift is art and you should be an artist.”  He was a rare one for his time and did not follow the parenting playbook that I was sure hospitals passed out to new parents in the 1960s.  I, like most young adults, did the opposite of what my father suggested and took a more practical approach to vocation. I earned my degree in education and became a teacher. Although I loved teaching,  I found what most of us eventually discover about discarded parenting advice: it turned out my father knew what he was talking about.  If there was such a thing as a “calling”, for me it was art. No matter how much I enjoyed teaching, “the road not taken” was always there like a chirping bird sitting on my shoulder. It was a reminder that I wanted to be doing what I was truly passionate about. Family and financial obligations made it seem like a real long shot.

Eventually, I decided to do just one thing as a nod to this dream, an attempt to simply walk towards it.  I was married with a small child and working as an elementary teacher while taking one night class at a time at a local art school.  Four years down the road and three classes short of graduation the marriage ended and so did my art education.  One very distraught and tearful, “Mommy, don’t go.”  was all it took for me to send the babysitter away.  As a newly single mother the world shifted drastically and I quickly realized I needed to supplement my teacher’s salary. I was trained in design so I started doing freelance illustration. But the fast and firm deadlines for major projects proved difficult to manage with a full time teaching job and motherhood.

The saying, ”necessity is the mother of invention” was never more true.   One night I put someillustration board on the floor and painted two rose-filled still life paintings. I had no money for art in our new place and I could not bear to look at blank walls anymore.  People seemed to like them, so I created more paintings. Another teacher purchased one for what felt like a lot of money which led to my first exhibition.  Once, after school, I set the framed paintings up against the back of chairs and invited the staff.  It was a successful day, which led my work being carried by a small art gallery. I started working larger and on canvas and watched my artwork become an actual source of badly needed income.  Five days a week I rose at 4:30 am and painted until it was time to wake my son at 6:45 and then off to school for both of us.  I kept up this pace for three years and stopped out of pure exhaustion but with a bit more confidence in my financial stability. This was the humble but exciting beginning to my new career.

There is no “Here’s How It Goes 101” when you become a visual artist.  From those first small steps it became a never ending balancing act between making artwork, sustaining an income and a maintaining a personal life.  All three remained fluid over a span of many years with an ebb and flow which didn’t always feel under my control.   In reality, this journey hasn’t been a smooth trajectory. It’s one marked by starts and stops, doubts, grit, failures and successes. On many occasions life embedded itself in the most inconvenient ways. Life is life, its not personal and its what we do with whatever comes our way that matters. I learned that no matter what life brings, make peace with yourself and the situation, and move on.

When one of these significant crossroads appeared I developed the practice of asking the question, “How can I keep doing art?”  I developed small rituals and routines related to my art which nurtured what was to become the one sure thing that survived through changes of people, circumstances and places.  I learned I could build the momentum of a career in spite of teaching full time, teaching part time, experiencingthe challenges of being a single mother, becoming a stepparent, the deployment of my soldier husband,  taking care of a sick child, caring for a terminally ill parent, struggling with my own illness and all of the other small hindrances along the way.  Ilearned to pack my studio up in a suitcase, take twenty minutes at the beginning and end of day to draw if larger blocks were not possible and I learned to write when I physically couldn’t paint.  Nothing heroic, just playing the cards no matter how the deck was cut and most importantly . . . to just to keep going.  

If you are an artist its worth it because, on some level, it feels as if you don’t really have a choice. Without art making life would just not be the same.  I’m sure the same goes for any musician, actor, performance artist, writer, poet or filmmaker. You may work at another profession full or part time to pay the bills but your thoughts and dreams are propelled by the object of your true passion . Observing the circuitous route my career has taken I am only left with gratitude for how all of it, even the most difficult of days, taught me and enriched me.  On this journey I am the lucky one, I am an artist. 

the healing power of art

The women of Mary's Place led the way

Next month, an autobiographical exhibition, "Terrible Beauty | under the canopy" opens in Seattle.   This exhibition is grounded in a childhood experience of sexual assault by a group of teenage boys. A few people have asked why come forward now in this very public venue for such a personal subject.  Of course, art can be an incredibly powerful vehicle for expression, but in reality, this series has been years in the making. At the time, the assault was so far beyond my understanding and I lacked any sort of context to make sense of it.  Complete confusion, trauma and a vague sense of shame followed me from that day on and led to my decision before I even got home that day to never tell anyone.  I kept that promise to myself for over twenty years.  The death of my father seemed to be the trigger that washed away that cracked and broken wall. Grief for my father infused itself with sorrow for what was lost that traumatic day several years earlier.  The secret became an overwhelming burden that had to be let go of.  I chose to break my silence and thus began the long and cumbersome journey to healing.  

A few years later in 2006 I was sitting with a group of homeless women from Mary’s Place, a day shelter for women in Seattle.  I grew to know and love these women through my weekly volunteer work teaching art.  I came to see them as some of the strongest and most courageous women I had ever met when I saw how they handled the daily grind of life in the streets.  The subject of childhood sexual assault came up innocently enough in conversation one day while we were painting.  Each one had their own heartbreaking story.  I sat in silence and was not ready to share mine.  It bothered me a bit that I could not speak up.  That was the day that I made up my mind that someday I would take that step into the wider world.  I would do art about this very personal and difficult subject. This process of returning to the day of the assault has been neither short nor easy.  Returning to that very dark space and time demanded honesty, a certain kind of fearlessness and compassion for one's self.  After an initial and difficult self reckoning, the physical experience of getting words and ideas out proved strongly cathartic.  In addition, the repetitive nature of completing certain pieces became a deliberate meditative journey to healing.  Frankly, it stunned me that after completing the workI was left with the sense that a tremendous weight had been lifted,  This mental, emotional and artistic journey had been well worth it.  Going back and giving that small girl a voice has made all the difference all of these years later and I will always be grateful to those women of Mary's Place for showing me the way.

an artist's long journey to healing

PRESS RELEASE

TERRIBLE BEAUTY : under the canopy

A young girl making her way home and a carefree bike ride near the woods become an irreparable encounter with a group of teenage boys. In that moment, her life shifts for years to come.   Amy Pleasant, the artist, creates a body of work rooted in personal experience as a survivor of childhood sexual assault.  The result is an exploration of trauma, healing and the nature of memory; the adult looking back as an observer applying visual language to a life changing event in the woods.

In the moment, the mind’s protective detachment created distracting innocuous snapshots which morphed into iconic visual images of that day’s horrible events.  The physical details of the terror and trauma yolked with the victim’s perspective, laying in the dirt under that tree.  These images became visual metaphors which marked the day the world became a dangerous place. The psychological carnage left in its wake led to a long and complex journey all survivors must take to reclaim their dignity and power.

Installation artwork, paintings and media reflect a personal exploration of the memory of trauma and the imagery which lingered through the years.  The exhibition creates a microcosmic visit to that day in the 1960's embedded with the suggestion of the passing of time, restoration and integration. The closure of a decades long journey giving a voice to the young girl without a voice. The exhibition will run June 2 - July 3, 2016 at Gallery 110 in Seattle.  Opening: First Thursday Art Walk, Thursday, June 2, 6-8pm.  Artist reception:Saturday, June 4,  artist talk @ 7:00 (6-8pm)  Gallery 110 hours: Thur. -  Sat. 12-5.

 

Exhibition made possible byArtist Trust.

a way back

A Grand Entrance


difficult to remember,

only a suggestion of a memory,

life before illness,

a faded spot on the wall

slightly evident from a distance,

the shrunken world which followed

this house; half cocoon now.

is there courage enough to step outside into the sun?

among those who have been going about their lives,

while i have waited

sitting here with my argumentative companions; hopefulness and hopelessness.

shall i put them both out of their misery and go out for a walk?



a bird's magic

With illness and recovery from surgery comes lots of firsts, including a car trip over 30 minutes for the first time in three years.  My friends took me to the Reifel Migratory Bird Sanctuary in British Columbia.  The most amazing natural beauty is complemented by those creatures who use the delta as their stop on the way to other lands.   We saw dozens of bald eagles, swans, two great horned owls, a variety of ducks, finches and one tree filled with nine cranes.  My euphoria of being out in the world, in this most beautiful corner, could only be matched by the visual metaphor of the birds provided. The world is a beautiful place.

an invitation to grow up

As an artist, I was drawn to the visual and allegorical exploration of family and generational transition. Perhaps I saw the handwriting on the wall in my own family back in 2010.  My first series, “Family Album” resulted from my mother’s desire to hand down the family albums and the stories that accompanied them.  My aunt was equally interested in passing down what was left of memories of a life fully lived.  The idea of transition was all theory then; that was before the care taking, the witness of the deterioration of the body,  the prolonged goodbye.

Both women died in 2012 just two months apart. My father had passed years earlier. I found the final moment, although expected, was followed by grief that seized the heart like a vice only to slowly loosen over time.  The grief supplanted by a shift in perspective, an openness towards those who have passed and a confirmation in my own belief that we really are all doing the best we can with who we are.  

Families are a messy business.  It is the most common and the most intimate of all human experience.  Our experiences range from love, anger, joy, frustration, jealousy, ambivalence, compassion.  Its all there.  We can’t run from who we are and a large part of who we are lays at the feet of these experiences.  The death of our parents are an invitation not only to grow up, but an opportunity to look at it all through a different, more objective lens.  Perhaps these writings and paintings serve as a vehicle for remembrance, closure, redemption or forgiveness, or simply a way to make peace.